QUOTE (Dynamic @ Jan 21 2013, 11:17) <{POST_SNAPBACK}>
I suspect a lot of that is less to [..]
What do you mean by 'that'? The average compression achieved or the observation that no codec performs much better on certain music? In the first case, I don't agree (see below), for the latter, I don't understand what you mean.
For example, take a look at the graphs (see the raw material ZIP) for Rush - Grace under Pressure and Howard Shore - The Hobbit: An Unexpected Journey. Both are DR 10 (see here for more information on DR), the average compression of the first ('80 rock) is about 70% and for the latter (2012 soundtrack material) it is 51%. As the DR measure is the same for both, a difference this large (19 percentage points!) can't be assumed to be side-effects of the loudness war only. However, still, the graphs look very similar when comparing codecs amongst each other.
edit:
edit2: I just measured the RMS, for Rush it's -14.6dB and for Howard Shore its -13.6dB, so it's even the other way round: the one that is compressed more has a higher RMS in this case...