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New lossless codec comparison (Jan '13)

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QUOTE (Dynamic @ Jan 21 2013, 11:17) <{POST_SNAPBACK}>
I suspect a lot of that is less to [..]

What do you mean by 'that'? The average compression achieved or the observation that no codec performs much better on certain music? In the first case, I don't agree (see below), for the latter, I don't understand what you mean.

For example, take a look at the graphs (see the raw material ZIP) for Rush - Grace under Pressure and Howard Shore - The Hobbit: An Unexpected Journey. Both are DR 10 (see here for more information on DR), the average compression of the first ('80 rock) is about 70% and for the latter (2012 soundtrack material) it is 51%. As the DR measure is the same for both, a difference this large (19 percentage points!) can't be assumed to be side-effects of the loudness war only. However, still, the graphs look very similar when comparing codecs amongst each other.

edit: I just checked the replaygain values of both albums, for the first it is -7.0dB, for the second it is -4.9dB. That's a difference of 2.1dB. If we assume every 6dB (or 1 bit) of noise added halves the achieved compression, then "adding 2.1dB of noise" to the soundtrack would result in a compression ratio of 1 - ( 1 - 0.51 ) / 10 ^ (2.1 / 20) = 62%. This is still 8 percentage point away from the observed 70%, so I can't be all loudness war. But then again, ReplayGain is probably not a good measure either...

edit2: I just measured the RMS, for Rush it's -14.6dB and for Howard Shore its -13.6dB, so it's even the other way round: the one that is compressed more has a higher RMS in this case...

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